2026
Into the Fireswamp
How I look out for images with narrative potential
No. 5
Colliding Worlds in Tasmania
How I went back to reshoot my compositions when the light came good
No. 13
Tasmanian Pandani
On pandani and leeches
No. 54
Tasmanian Granite
On finding shade in the Bay of Fires
No. 35
2025
Flamborough
On starting to see and work the chalk
No. 15
Torridonian Rock
On revisiting a beach with a goal in mind
No. 30
Lindisfarne Priory
How anticipating and predicting the light paid off
No. 8
Snails in Blue
On painting the shale blue
No. 39
2024
More Chalk
On a wild and windy visit to the chalk
No. 52
The Processes of Time
How sometimes distance is needed to evaluate your images
No. 3
Repetition at Dawn
How the value of repetition won out again
No. 4
A Dance of Ice and Fire
On remembering not to scout with the technical camera - yet again
No. 20
Birch Bark
On the photographic equivalent of chocolate cake on a plate
No. 46
Jurassic Sandstone
On a first introduction to amazing geology
No. 50
Requiem on Full Steam
On the moment of achieving project momentum
No. 48
A Thaw in Assynt
On handling a thaw and feeling like I was home again
No. 23
Etive in Snow and Ice
On a clearing snow front at sunset
No. 41
Iced on Rannoch Moor
On making a good call to travel early
No. 33
2023
A New Phase
How a test shot convinced me I was on the right track
No. 31
Icelandic Sastrugi and Floating Ice
When awe and wonder are the only response to amazing sights in nature
No. 18
Snow and Ice in Iceland
When sometimes making a picture of the obvious subject is just right
No. 10
Colliding Worlds in Torridon
On photography as healing
No. 37
2022
Snowdonia
On how I kickstarted my photographic recovery with several unintended consequences
No. 26
The Force of Colliding Worlds
On finding a new theme as I reflected on worlds colliding
No. 60
Skipwith Lowland Heath
On the value of having somewhere local to play with the camera
No. 12
Loch Torridon
On how I rediscovered the value of closed loop photography
No. 45
2021
Spring Trails
On starting a Leave of Absence
No. 57
2020
Buttermere
On remembering a final walk
No. 22
2019
Borrowdale Quarry
On repetition and trusting that you have solved a composition without realising it
No. 1
2018
Torridon
On enjoying my photography again
No. 27
2017
Bark
On exploring a new theme – or was it exploring my craft?
No. 56
2016
Last of the Velvia
On my last outing for film
No. 51
2015
Victoria Pier
On photographing Hull’s famous pier
No. 55
2014
Pipes
On how the ideas of symbolic representation from Mulgrave bled into some pipes
No. 34
2013
Fun in the Lakes
On a relaxing week in the Lakes and how I took a 10×8 to a beginners’ workshop
No. 32
Etive in Monochrome
On being lost to black and white in Glencoe
No. 47
2012
Millington
On finding the seeds for a project and rekindling a love for Black and White
No. 17
Black and White Sheets
On black and white 5×4 beginnings
No. 44
Mulgrave Interview
On how a desperate, time-starved photographer combined an interview with photography
No. 53
Painting at Mulgrave
How a major theme for my Mulgrave work was born
No. 36
2011
Shadow Line Developed
How I started to experience the value of flow state
No. 2
Mulgrave Circled
On taking my father to Port Mulgrave and discovering a Mulgrave theme
No. 43
The Origins of Abstraction
How I started to understand the difference between abstraction and photographing details
No. 59
2010
Lodore Falls Woods
On making an image that took time to appreciate
No. 49
Langstrath
On looking back at a favourite day and memorable trip with my father
No. 14
Surprised at Dawn
On switching horses just in time
No. 58
Wolds Hawthorn
On seeing a vision for interpreting the Wolds come to fruition
No. 24
Bubbles in a Puddle
On finding images in the most unlikely of places
No. 6
More Glencoe Ice
On remembering a seminal trip
No. 25
2009
Let Sleeping Logs Lie
On making pictures when you should be recovering
No. 28
Wolds Beginnings
On the origins of photographing the Yorkshire Wolds and how solutions can often present themselves given time
No. 21
Saltwick Bay
On setting up in a favourite place and just waiting for it to happen
No. 11
Snow in Glencoe
On how simple pleasures are sometimes best
No. 19
Inspiration
On the artistic dynamic of inspiration
No. 38
2008
Scaleber Force
On finding the language of balance in a Yorkshire gem
No. 40
Reflected Light
On staying behind after school to practise alchemy
No. 7
2007
Red Light at Dawn
On one of the most remarkable dawns I can remember
No. 29
More Beginnings
On remembering another origin story
No. 16
2006
Beginnings
On the beginnings of learning my craft
No. 9
A Bird’s Eye View
On remembering a moment of transition
No. 42